Heade A Magnolia on Red Velvet painting

Heade A Magnolia on Red Velvet painting
Heade Cattelya Orchid and Three Brazilian Hummingbirds painting
Vernet The Lion Hunt painting
Godward Under the Blossom that Hangs on the Bough painting
The fame of Dom Claude Frollo had spread abroad. To it, just about the time of his refusal to encounter the Lady of Beaujeu, he owed a visit which remained long in his memory.
It happened one evening. Claude had just retired after the evening office to his canonical cell in the cloister of Notre-Dame. Beyond a few glass phials pushed away into a corner and containing some powder which looked suspiciously like an explosive, the cell had nothing noteworthy or mysterious about it. Here and there were some inscriptions on the walls, but they consisted purely of learned axioms or pious extracts from worthy authors. The Archdeacon had just seated himself at a huge oak chest covered with manuscripts, and lighted by a three-armed brass lamp. He leaned his elbow on an open tome: Honorius of Autun’s De prœdestinatione et libero arbitrio,
arMenu1[9] =
'11 Of Predestination and Free-Will.';
1 while he musingly turned over the leaves of a printed folio he had just brought over, the sole production of the printing-press which stood in his cell. His reverie was broken by a knock at the door.