Monet Woman In A Green Dress painting

Monet Woman In A Green Dress painting
Klimt The Kiss (Le Baiser _ Il Baccio) painting
Seignac L'Abandon painting
Hanks Blending Into Shadows Sheets painting
Our fair readers must forgive us if we halt a moment here and endeavour to unearth the idea hidden under the Archdeacon’s enigmatical words:
“This will destroy That. The Book will destroy the Edifice.”
To our mind, this thought has two aspects. In the first place it was a view pertaining to the priest—it was the terror of the ecclesiastic before a new force—printing. It was the servant of the dim sanctuary scared and dazzled by the light that streamed from Gutenberg’s press. It was the pulpit and the manuscript, the spoken and the written word quailing before the printed word—something of the stupefaction of the sparrow at beholding the Heavenly Host spread their six million wings. It was the cry of the prophet who already hears the far-off roar and tumult of emancipated humanity; who, gazing into the future, sees intelligence sapping the foundations of faith, opinion dethroning belief, the world